<rss version="2.0"><channel><title>Rick Caldwell</title><link>http://www.krxo.com/rickcaldwell/blogs/home.aspx</link><description>KRXO's Rick Caldwell's Blog</description><language>en-us</language><copyright>Copyright 2009, KRXO-FM</copyright><pubDate>Fri, 10 Sep 2010 18:28:13 GMT</pubDate><lastBuildDate>Thu, 15 Jan 2009 20:42:24 GMT</lastBuildDate><ttl>1</ttl><generator>http://emmisinteractive.com</generator><item><title>How Bob Dylan Helped Me Make It Through Summer '08</title><description>There's an underside to the music industry that I was introduced to first as a teenager and, in more detail almost 20 years ago, about the time I started to work at KRXO: bootlegs. There was guy who worked with us whose brother in law was a muckety muck at a record retailer (remember record stores?), who had an incredible collection of cassettes of live recordings from just about everyone who ever played a rock concert in this hemisphere. I was floored. Until then I was convinced that the only music availabe to us was the stuff the record companies wanted us to have, with the exception of the one Frank Zappa vinyl bootleg I had as a teenager. Most of the cassettes this guy had were not bootlegs that had 'proper' packaging and the like, rather, just stuff that guys, called tapers, taped. Most probably sounded pretty bad as ...</description><link>http://www.krxo.com/rickcaldwell/blogs/blogentry.aspx?BlogEntryID=10009653</link><author>rick@krxo.com (Rick)</author><guid>http://www.krxo.com/rickcaldwell/blogs/blogentry.aspx?BlogEntryID=10009653</guid><pubDate>Thu, 15 Jan 2009 20:42:24 GMT</pubDate></item></channel></rss>
